Since its initial publication in Berlin in 1928, Jan Tschichold's "The New Typography" has been recognized as the definitive treatise on book and graphic design in the machine age. First published in English in 1995, with an excellent introduction by Robin Kinross, this new edition includes a foreword by Rich Hendel, who considers current thinking about Tschichold's life and wo...(展开全部)

Since its initial publication in Berlin in 1928, Jan Tschichold's "The New Typography" has been recognized as the definitive treatise on book and graphic design in the machine age. First published in English in 1995, with an excellent introduction by Robin Kinross, this new edition includes a foreword by Rich Hendel, who considers current thinking about Tschichold's life and wo...(展开全部)

This book, an important landmark in twentieth century critical theory, reviews the thinking of I. A. Richards, T. S. Eliot, and Yvor Winters. As Ransom notes, the New Criticism begins with these men, is indeed indistinguishable from them. He singles out I. A. Richards as the originator of the new way of looking at language, a way dependent on psychology and semantics rather tha...(展开全部)

弗兰克·伦特里奇亚 当代美国文学批评家、小说家兼电影学教授。他是与赛义德（Edward Said）齐名的在美国有“公共影响的文学批评家知识分子” 。伦特里奇亚教授的早期著述大都是关于现代诗歌的研究，其后他深入文学理论研究领域，并发表了一系列具有开创性意义的著作，其中就包括《新批评之后》。伦特里奇亚还著有《批评与社会变迁》(Criticism and Social Change，芝加哥大学出版社出

This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Levi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentri...(展开全部)

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)

On 1 January 2000 the German Civil Code (BGB) became one hundred years old. It had been remarkably resilient throughout a century marked by catastrophic upheavals and a succession of fundamentally different political regimes. Two years later, however, the most sweeping individual reform ever to have affected the Code entered into force. This was the Modernization of the Law of ...(展开全部)

- 作者简介 - 哈尔·福斯特（Hal Foster，1955— ），美国艺术批评家、艺术史家，现任教于普林斯顿大学，《十月》编辑，其研究聚焦于后现代主义背景下的先锋艺术，曾主编《反美学：后现代文化论集》，著有《重编码：艺术、景观、文化政治》、《真实之复归：世纪末的先锋派》等书。 - 译者简介 - 李翔宇，建筑学人，涉猎文学、艺术、哲学，受“五月风暴”及反主流文化运动影响甚重。

Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Ran...(展开全部)