Since its initial publication in Berlin in 1928, Jan Tschichold's "The New Typography" has been recognized as the definitive treatise on book and graphic design in the machine age. First published in English in 1995, with an excellent introduction by Robin Kinross, this new edition includes a foreword by Rich Hendel, who considers current thinking about Tschichold's life and wo...(展开全部)

Since its initial publication in Berlin in 1928, Jan Tschichold's "The New Typography" has been recognized as the definitive treatise on book and graphic design in the machine age. First published in English in 1995, with an excellent introduction by Robin Kinross, this new edition includes a foreword by Rich Hendel, who considers current thinking about Tschichold's life and wo...(展开全部)

Since its initial publication in Berlin in 1928, Jan Tschichold's "The New Typography" has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputa...(展开全部)

This book, an important landmark in twentieth century critical theory, reviews the thinking of I. A. Richards, T. S. Eliot, and Yvor Winters. As Ransom notes, the New Criticism begins with these men, is indeed indistinguishable from them. He singles out I. A. Richards as the originator of the new way of looking at language, a way dependent on psychology and semantics rather tha...(展开全部)

弗兰克·伦特里奇亚 当代美国文学批评家、小说家兼电影学教授。他是与赛义德（Edward Said）齐名的在美国有“公共影响的文学批评家知识分子” 。伦特里奇亚教授的早期著述大都是关于现代诗歌的研究，其后他深入文学理论研究领域，并发表了一系列具有开创性意义的著作，其中就包括《新批评之后》。伦特里奇亚还著有《批评与社会变迁》(Criticism and Social Change，芝加哥大学出版社出

This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Levi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentri...(展开全部)

This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Levi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentri...(展开全部)

弗兰克·伦特里奇亚 当代美国文学批评家、小说家兼电影学教授。他是与赛义德（Edward Said）齐名的在美国有“公共影响的文学批评家知识分子” 。伦特里奇亚教授的早期著述大都是关于现代诗歌的研究，其后他深入文学理论研究领域，并发表了一系列具有开创性意义的著作，其中就包括《新批评之后》。伦特里奇亚还著有《批评与社会变迁》(Criticism and Social Change，芝加哥大学出版社出

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)